Still Singing the Blues

A radio documentary about New Orleans and South Louisiana Blues

Tune into Red River Radio

Red River Radio Network, a community-supported service of Louisiana State University-Shreveport, has just scheduled our documentary for Thursday, June 24 at 8 p.m. Central Time. This is great news: Red River Radio operates five stations in a three-state area: KDAQ (89.9 FM) in Shreveport, La.; KLSA (90.7 FM) in Alexandria, La.; KBSA (90.9 FM) in Eldorado, Ark.; KLDM (88.9) in Lufkin, Texas; and the translator station K214CE (90.7 FM) in Grambling, La. The coverage area extends into Mississippi, too, giving Red River Radio an unusually broad geographic reach.

If you are not within the network’s broadcast area, you can still listen online at this link: http://www.publicbroadcasting.net/rrr/ppr/index.shtml.

Voice of the Wetlands

Tab Benoit. Photo by Bengt Nyman and reproduced under a Creative Commons license.

Since long before the Deepwater Horizon oil spill, one of the strongest voices for Louisiana’s wetlands has been bluesman Tab Benoit. The 42-year-old guitarist, who was born and raised in Houma, La., is a founder of Voice of the Wetlands, a group of artists and business leaders that since 2004 has called attention to the urgency of protecting South Louisiana’s environment.

Benoit first became aware of the disappearing coastline when he was working as a pilot for a pipeline company. Last year he told New Orleans’ Offbeat Magazine:

You can see things better from the air. That’s why we take people flying. I started noticing while I was flying on the coast looking at all those coastal pipelines running through the marshes around the edge of the gulf. You’d see little islands disappear in a matter of months. Then I got a chance to see it speed up, things that would change monthly were starting to change weekly. When I started talking about it people would say, ‘Ah, that’s never going to happen in our lifetime.’ I would have to say it looks like it’s happening faster than anybody could imagine. From the air you can see the whole thing. Go talk to the people who fish in the bayous, go talk to the people who fly over the river to the rigs all the time to go to work. They’re going to tell you exactly what I’m telling you. That’s why I want people to see it; I want them to form their own opinion and not listen to somebody else’s opinion about what needs to happen on the coast of Louisiana.

The recent BP spill has sent Benoit into overdrive, of course. Here’s an excerpt from a recent article in The Irish Times:

Louisiana’s wetlands were ravaged long before oil spill, says activist

By LARA MARLOWE in Houma, Louisiana

When Tab Benoit learned the Deepwater Horizon oil rig had exploded and sunk off the shores of Louisiana, he felt a mixture of anger and deja vu.

“Everything we’ve talked about comes true,” sighs Benoit, a well-known Cajun blues singer and environmental activist.

Benoit once worked as a pilot flying pipeline patrols over the Gulf of Mexico in search of petroleum leaks.

We sit on Benoit’s houseboat in Bayou Terrebonne. It is sunset, and mullet fish jump in the water with a soft ker-plunk. Down the road, guards from homeland security have deployed around BP headquarters, literal proof of Benoit’s contention that the U.S. government protects oil companies.

Under supervision by the U.S. Coast Guard, BP yesterday took advantage of a let-up in the bad weather that stalled containment measures to lay protective booms along the coastline.

BP is also attempting to activate the “blowout preventer” that sank with its rig, using underwater robots. The company is building huge steel and concrete containers to capture the gushing oil and siphon it off, and it is drilling two relief wells, which will eventually be used to shut off the leak.

For more than a decade, Benoit has campaigned to save Louisiana’s wetlands—marshes built up over centuries by silt from the Mississippi, the length of the state’s coastline. In 2003, he founded Voice of the Wetlands (Vow), an association of Louisiana’s best-loved musicians, including Dr John, Cyril Neville, Big Chief Monk Boudreaux and George Porter. Vow has done more than any other group to raise awareness of what has become the state’s existential ecological cause.

Click here for the full article.

Throughout this summer, blues fans in Oklahoma, Kansas, Tennessee, Kentucky, Ohio, Minnesota, Ontario, Quebec, and Colorado can catch Benoit’s music. For details, go to his web site, tabbenoit.com, and click “Tour.”

A Chat with the Soul Queen

Irma Thomas during a Mahalia Jackson tribute at Jazz Fest 2008


If we were in New Orleans this Friday, there’s no question where we would be from 5:30 to 7 p.m.: at the Cabildo on Jackson Square for Cocktails & Conversation with Irma Thomas.

Every second Friday of month, the Ponderosa Stomp Foundation, an organization committed to the celebration of the unsung heroes of American roots music and rock ‘n’ roll, sponsors a free event like this. Music fans gather for drinks and the spinning of vintage 45s, then settle in for a live interview of a musical icon.

And who better than the beloved Thomas, whose contributions to New Orleans blues, R&B and soul make her not just a musical force but a moral one? From her brief Stomp bio:

The “Soul Queen of New Orleans” began her musical career as a teenager, when Tommy Ridgely discovered her waiting tables at the club where his band was in residency. Thomas auditioned for Joe Banashak’s then-fledgling Minit label in 1960, but was turned down and signed with the Ron label instead, releasing “You Can Have My Husband (But Please Don’t Mess With My Man)” which made it onto the Billboard R&B charts in spring of that year. Thomas left Ron to sign to Minit, for whom she recorded some of her (and New Orleans R&B in general) most beloved signature songs, including “It’s Raining” and “Wish Someone Would Care” with Allen Toussaint as producer.

Thomas’ rich, soulful, often melancholy voice is one of New Orleans music’s finest treasures. Her records garnered her a dedicated cult following among collectors and connoisseurs over the years, but it was not until 2006’s “After The Rain” album on Rounder Records that she earned a much-belated Grammy award.

There’s a longer bio here.

We’re live

After almost a year of preparation, today stillsingingtheblues.org has gone live. We are excited beyond belief.

This site features photos, audio clips, links for listeners who want to buy CDs or listen to live blues, and of course this blog, which we began last October. It will grow throughout the year as we add more material. Our radio documentaries themselves will go online in August, giving stations a chance to broadcast them first. Please click the Subscribe bar for regular updates!

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